This is the second volume in the Desert Roses series. Ashley Reynolds was a "Harvey Girl," working in a Harvey's restaurant in Arizona. She lived with her grandfather and little daughter. She enjoyed her work and was regarded as one of Harvey's best. Her husband had been killed in WWI. She felt she could never find anyone who would measure up to the man she lost. Her daughter met an architect working on a Harvey project who was willing to share his interest in architecture with the little girl. Natalie encouraged this friendship. About the same time Ashley's grandfather was diagnosed with terminal liver cancer.

Throughout the story another struggle was raging - Grandfather and Natalie felt a firm faith in God but Ashley had questions which kept her from faith and church. How could God take her husband as he did? How could God let her grandfather have cancer? The mystery of the bearded architect was solved in an interesting and surprising way. This is a really good story and it shows a small section of history in the west as the Great Depression was spreading over the country. It also shares the struggle several people in the story experienced in finding faith in God.

Tracie Peterson has captured the era just before the beginning of the great depression, circa 1930. A young widowed mom is working - supporting her 10 yr. old daughter while sharing a home with a grandfather who is estranged from the rest of his family.

When hurt and bitterness have built up a wall, it is very unlikely that a newcomer to town, a construction worker, will have a chance to court her, even though her daughter is playing matchmaker.

The central figure is a young, independent but sad woman who has decided that fate and God have chosen her lot of single mom. In spite of the faith of both her daugher and her grandfather, she will not attend church or believe. Her family has turned their backs on her, never even knowing that she has a child, so she determines to be single, sad and alone. Her daughter is determined to change all that.

Lies, deception, danger and tremendous intrigue are played out it this second book of Peterson's "Desert Roses" series.

Including lots of other people and circumstances, Tracie builds a tremendous plot that will hold a reader spellbound and unable to lay the book down.

This book fills a real gap in information for gardeners interested in agaves, yuccas, and similar plants, such as hesperaloes. I haven't found any other book that lists so many species of these plants AND has photographs of each. The text has extensive information for both identifying and growing these plants, whereas many books on plants will emphasize one aspect or the other. In other words, this book would be useful for botanists as well as gardeners and horticulturalists.

There is also some useful information on the cold hardiness and adaptability of these plants to wetter climates. Some experimental gardeners on the east coast of the U.S. may find the minimum temperature limits listed for some plants to be a little conservative. However, the horticultural information on growing these plants, more than makes up for that.

All around, this is a very good book and would be of interest to anyone interested in growing or identifying agaves, yuccas, and similar plants.

I am the librarian at the Desert Botanical Garden and this book has been a tremendous addition to our collection. I have only had it for two weeks and have already used it several times to answer reference questions. The photos are wonderful and the index is extensive. What sets this book apart from all the rest, however, is the clear and succinct format used to describe each plant. Each reference includes the botanical name, synonyms, common names, descriptions of the size, leaves, blooms, distribution, propagation, cultural requirements, similar or related species, and uses. Mary and Gary Irish have created an invaluable resource for anyone interested in agaves, yuccas and related plants.

Vastly expanded my consciousness regarding the desert I love. A beautifully written book based on a tremendous amount of personal experience, research, and soul searching.

A near-perfect blend of anthropology, geology, human and natural history, it is the thorough overview of the Anza-Borrego Desert that I was looking for. There is no preaching or strong advocacy for either conservation or exploitation of the region, but rather a balanced presentation of the various viewpoints of a surprisingly large number of stakeholders. The easy-going tone and pacing make for an enjoyable read. There is a storytelling quality about the writing that drew and held my attention firmly but pleasantly. There was enough technical detail to flesh out the themes but not so much detail that I felt overwhelmed. The only exception was the chapter on the Salton Sea which included, perhaps necessarily, quite a bit of information on past and current politics regarding the handling of this unique area. While there were parts of the book that challenged my previous impression of the desert as "untouched" and "pristine" - and made me wonder if I really wanted that impression challenged - ultimately my attraction to the desert became more informed, not spoiled.

If you are interested in flight jackets, their design, styles and art work, then this book is for you. There are literally hundreds of colour and black and white photographs of aviator leather jackets. World War Two jackets are covered in detail as are Korean and Vietnam period flight jackets. The book is well set out, has large high resolution photographs and is a well constructed hardcover. The only fault I could find with the book is that in many of the photographs it fails to identify the jacket type and specification. It also does not deal with jacket construction or design. As with many of Maguire's books it has excellent reference photographs and information on who used or wore the artical in question, but fails to provide detailed information on the item other than the basics. Still, it is worthwhile addition to a library, although the book is expensive.

Perhaps I enjoyed this book so much because of the fact that it's main focus is the WWII era of flight jackets and that is my favorite area as well. If you want historical jackets (KOREA AND WWII), get this book, but if you want just modern jackets then shop elsewhere.

If I had to be picky about the book, I would have to say that there were too many blood chits on jackets pictured and not enough pin-up work, but that's only if I had to be picky. The authors did their homework for this book as they don't just give you tons of photographs (BY THE WAY, THERE ARE TONS OF PHOTOGRAPHS) but also chronicle the jacket's history and when possible, the owner's history as well.

Fantastic layouts as the information is presented in a very professional and orderly way. They break down the jackets by theater as there's a section on the CBI theater, the European Theater, Korean theater, etc. Good paper and a nice sized book.

A bit on the pricey side but I still got it and I would still recommend it to the hardcore fan of the subject. May be too much cash for the casual fan.

It is certainly an extraordinary books from world's leading Indus Valley Civilization expert. Books gives a unique insight into Cholistan, breaking new grounds with research and findings. Spectacular pictures and footage. My salute to Dr. Mughal and I look forward to seeing more books from Dr. Mughal.

This book is probably rare collectors item for lovers of Archaeology and Indus Valley Civilization.

Books on this particular subject are non-existent. This is the first book on Cholistan and its archaeology. For those who do not know, a lot of mystery surrounds Cholistan and its archaeological sites. For those who are from Sindh talk about some heavenly curse which wiped out the civilization and plagues anyone who tries to research.

Dr. Mughal has indeed been very daring in line of his research and has broken the myths of mystery and secracy. He is truly the first one to bring rich cultural hertiage of Cholistan and its links with oldest Indus Valley Civilization of Pakistan.

It is wonderful to read the research of Pakistan's only Indus Valley Civilization expert and former Director General of Archaeology and Museums.

I read this book in Pakistan about a year ago.

Munaza Yakoob

John Murray is one of the best writers on the West practicing today, perhaps the best. He has authored or edited more than forty books including such classics as Desert Awakenings, Cactus Country, and the highly acclaimed American Nature Writing series.

This book is a collection of fifteen essays and fifteen stories, both fiction and nonfiction, that celebrate what Murray describes as the most beautiful desert in the American Southwest, the Red Rock Desert. It is loosely located in a triangle shape anchored by the Gates of Ladore to the north, the Grand Wash Cliffs to the southwest, and the Zuni Mountains on the southeast. All things considered, a pretty good boundary description for the Colorado Plateau and the four-corners area. Indeed, the twenty-one locations of his stories and essays are in southern Utah, northern Arizona, and western Colorado.

In his incomparable style of graceful prose and lyrical musings Murray takes the reader into the world of form and color that define such diverse locations as Monument Valley, Escalante Canyon, Navajo Mountain, Grand and Coyote Gulch, Wilson Mesa, Professor Valley, the Burr Desert and a host of other locations that form this wonderland of incredible beauty and harmony and time and space. Using the desert as a metaphor the stories tell of life and death, greed, togetherness and separation, hope and despair and a myriad of other conditions that are so like the West itself. The essays describe the ever changing beauty and danger of the rivers and canyons and space, indeed all of the flora and fauna that comprise the Red Rock Desert and reveals Murray's deep affection for, and encyclopedic knowledge of, this special place. The following from the Afterword will give the reader an idea of the special talent of Murray: "I only know this. There are few things as beautiful as the shapes a desert river carves in the rock of a country, or the way a canyon rose holds it wine-colored blossom toward the sun, or the sound of the wind as you climb to the summit of a solitary peak. To have been among these places is to have known a happiness not often found elsewhere in this world."
Truly a special book about a special place.

John A. Murray's latest book, "Another Country: Encounters with the Red Rock Desert," is a tour de force. Murray has created a new genre, alternating non-fiction nature writing with gutsy, O. Henry-surprising short stories. A lesser writer might founder with this format, but Murray brings home the goods.

From a touching elegy for his mother ("Sandpainting") to hard-ball, edgy murder and action ("The World Behind the Sun"), the author writes with a deft, sure hand and leaves no false notes.

Tying the work together is the place, the sun-splashed, crimson walls of the Four Corners region, Hillerman country, Abbey country - and, now, Murray country. You can't fail to want to grab your sleeping bag, lace up your boots, and head out for a hike to the Red Rock wilderness after reading this book. And after reading the title story, a gut-wrencher with a surprise ending, you'll also remember to bring along a gallon or two of water.

This book is great stuff. Buy it.

Excerpts from a longer review by Judith Fein in HADASSAH Magazine August/September 2000: The book is sprinkled with Spanish, Hebrew, Ladino, and Yiddish. It is puctuated with love, questioning, humility, bravado, honesty, longing and anger.... At first the words seem tender and nostalgic and clever, but they begin to gain power as the diverse voices proliferate.... Of all the poems in the book, the Converso section elicits the most excitement. "I think this is because the phenomenon works both historically and metaphorically," Logghe says. "I ask,'What in your life have you kept hidden?' We all have hidden aspects of ourselves. The book is a vehicle for opening up dialoge with Jewsand non-Jews so we should find some common ground and hearts." Read the whole two page review and you will know why this book is a treasure to share.

In this diverse and masterly compilation, New Mexican Jewishpoets explore their Judaic identities as set against a backdrop ofarroyos, chili plants, and arid turquoise skies. Many of the poets are relatively recent transplants from elsewhere in the country, while a few have long made their homes in the Land of Enchantment. One of the Spanish-writing contributors is descended from the first Jews to arrive in New Mexico, fleeing persecution from the Spanish Inquisition in 1598. The theme of exile and searching permeates many of the works, with several poems inspired by the painful past-the Holocaust, the Inquisition. Other writers probe the wonder and strangeness of newly embracing their faith in this unlikely land. There are also numerous reflections on ancestors, family and religious holidays-one poem describes casting bread into the Rio Grande on Rosh Hashanah morning. Libraries serving communities with sizeable Jewish populations should consider this anthology a must purchase. Also recommended anywhere where interest is high in Western or Jewish culture, or just fine poetry.

This is a great book for anyone that wants to learn about this desert and the plants and animals that live in it. Unlike some of the other books about this topic that are written in an academic/textbook style, this book is written in a lively, question & answer format and is full of interesting and unusual facts. I've lived in this region for over 25 years and I learned quite a bit by reading this book.

I only saw this once in the bookstore, and just by flipping through it, I knew it had to be a part of my book-collection. Just moving to the desert southwest, I have been thirsty for more about my new eco-system and home........I may not have so many dilemmas now on critters and plants..........

Certainly this book is "about" the following: Pima Indians Ethnobotany Gila River Valley (N.M. and Ar Native American Anthropology Nature / Field Guide Books Science Botany Native American Studies - Tribes Plants...

...but it is really a glowing absorption of the essences of life as only those who still live in what's left of this earth's eden can truly and fully know. Rea perhaps brings this through to the reader better than any writer, poet, or other artist in history. This book is not just a "gem" or some other catchy adjective from the "How to Review a Book" manual--it is a true treasure, a legacy more valuable to the priceless "things" of life than all the dusty gold from King Tut's tomb. It is a ocean of pearls cast before the multitudes, hoping, perhaps, to snare a fertile, vigorous mind or two... You will laugh deeply. You will cry unrepentantly. You will revel in the invigorating joy of discovery. No matter who you are or how you make your way in this world, the spirit of this book will touch that secret something in you that you thought you would never find anywhere else...

I just want to let people know that At the Desert's Green Edge was awarded the Klinger Book Award by the Society for Economic Botany. This is according to an announcement in the members' publication for the San Diego Natural History Museum, where Dr. Rea is a research associate.

Did you know that cacti have "personality"! A SMILE is what you'll get every time you pick up this gem - along with something new you've learned about our American deserts! It's a delightfully fun example of Jim Willoughby's artistic sense of humor in colaboration with wife, Sue. It's a great gift for locals and visitors to the southwest. I send it as a thank you gift to collectors of my husband's desert landscape paintings and hear back that it's enjoyed by the whole family!

I bought this book at the museum gift shop at the White Sands Nat'l. Monument and enjoyed every moment of reading! My husband and I moved to Alamogordo, NM from Laramie, WY 1 1/2 years ago and did not know what the cacti were. Your book helped tremendously! Now we can pick out quite a few on our travels. Thanks!!!!!!!!!!!! Chris Mendoza